天然植物染工作坊講義 / Natural Dyeing Workshop Handout

天然植物染工作坊講義Natural Dyeing Workshop Handout

圖面版|染料(色素)+纖維=染色,四種上色邏輯 Dye (pigment) + Fiber = Dyeing, four coloring logics

一、天然植物染的邏輯1. The Logic of Natural Dyeing

染料 (色素) 纖維 染色

同樣是「上色」,色素固定在纖維上的方式並不只一種。以下四種邏輯,涵蓋了工作坊會接觸到的染料與顏料。 "Coloring" isn't just one process — there's more than one way pigment ends up fixed on fiber. The four logics below cover the dyes and pigments used in this workshop.

1

藍染Indigo

不是表面上漆,是「先溶解滲入纖維內部,接觸空氣再氧化固化」,把色素顆粒物理性地卡在纖維裡層Dye dissolves, soaks into the fiber, then re-oxidizes in air and locks inside — not a surface coating

不需媒染,也不需下地處理No mordant or undercoat needed

2

直接染料Direct Dyes

色素分子自己抓住纖維表面(氫鍵、凡得瓦力),像貼紙輕輕貼上去Pigment clings to fiber on its own — like a sticker lightly pressed on

媒染非必要,只用於變色加深Mordant optional, only for deeper color

薑黃・紅花Turmeric · Safflower
3

間接染料Indirect (Mordant) Dyes

色素透過蛋白質/單寧+金屬鍵結,在纖維表層形成一層固色膜,這是大部分天然染料的做法Pigment + protein/tannin + metal bond together on the fiber — how most natural dyes work

媒染是必要步驟Mordant required

五倍子・橡實・茶葉Gallnut · Acorn · Tea leaves
4

顏料Pigments

色料顆粒不會和纖維產生化學鍵結,單純靠外加的「膠」黏在表面Pigment forms no bond with fiber — held on by an added binder

膠老化、脫落,顏色就跟著剝落Color flakes off as the binder wears out

水彩・墨汁・顏料印染Watercolor · Sumi ink · Pigment printing

補充 間接染料怎麼固色:色素・媒染・下地介質Detail — How indirect dyes fix color: pigment · mordant · undercoat medium

螯合固色 色素 單寧・多酚 下地介質 豆漿膜・單寧漆 媒染 鋁・鐵・銅

下地介質先幫纖維鋪出結合位,色素與媒染劑的金屬離子再和這層介質產生螯合,三者缺一,顏色都不會牢固。 The undercoat first gives the fiber binding sites; pigment and the metal ion from the mordant then chelate onto that layer. Remove any one of the three and the color won't hold.

補充 纖維的兩種類型Detail — Two types of fiber

動物纖維(絲・毛)Animal fiber (silk, wool)

本身即為蛋白質構成,天生就有結合位,較容易染色Protein-based by nature, with built-in binding sites — dyes readily

植物纖維(棉・麻)Plant fiber (cotton, linen)

纖維素構成,沒有蛋白質結合位 → 需先做下地處理補上結合位Cellulose-based, no protein binding sites → needs an undercoat treatment first

補充 下地處理的兩種類型(植物纖維)Detail — Two types of undercoat treatment (for plant fiber)

豆漿=黏膠膜Soy milk = adhesive film

鋪一層無色蛋白質膜,本身不帶色,純粹提供結合位讓後面色素、金屬黏上去Coats the fiber with a colorless protein film that simply provides binding sites for pigment and metal to attach to later

單寧下地=會變硬的漆Tannin undercoat = self-hardening lacquer

鋪一層本身帶淺褐色的單寧漆,接觸空氣會自行氧化變硬、越放越牢固,同時兼任結合位與底色Coats the fiber with a naturally tan-colored tannin layer that oxidizes and hardens on exposure to air, growing more durable over time, doubling as both binding site and base color

補充 常用的媒染Detail — Common mordants

Alum

明礬或醋酸鋁,色澤明亮、偏原色Alum or aluminum acetate — bright, close to the dye's own hue

Iron

偏深、偏灰黑Darker, grey to black tones

Copper

藍熊販售的處理銅,偏綠、偏茶,沉穩Treated copper mordant — muted green to brown tones

二、我目前使用的染色方式2. My Current Dyeing Method

1

下地處理Undercoat treatment

分兩種類型:豆漿膜 / 單寧漆Two types: soy milk film / tannin coat

2

製作染液Prepare dye bath

找植物、煮出色素,讓色素離開植物本體Source the plant, simmer to release pigment from the plant matter

3

染色Dyeing

布料浸入染液,低溫浸染顯色Immerse fabric in the dye bath, low-temperature soak to develop color

4

媒染Mordanting

浸入媒染劑,金屬離子固色顯色Soak in mordant solution, metal ions fix and develop the color

5

水洗Rinsing

大量清水沖洗,去除多餘藥劑Rinse thoroughly with clean water to remove excess chemicals

6

重複Repeat

依想要的濃淡,重複染色與媒染Repeat dyeing and mordanting to build up the desired depth of color